after effects tricks Shape Layers

after effects tricks Shape Layers

We feel shape layers is one of the best features introduced in After ... These new vector- based layers open a ... Excerpt from Creating Motion Graphics with After Effects,

Shape layers contain vector graphics objects called shapes. By default, a shape consists of a path, a stroke, and a fill.

You create shape layers by drawing in the Composition panel with the shape tools or the Pen tool.

Shape paths have two varieties: parametric shape paths and Bezier shape paths. Parametric shape paths are defined numerically, by properties that you can modify and animate after drawing, in the Timeline panel. Bezier shape paths are defined by a collection of vertices (path points) and segments that you can modify in the Composition panel. You work with Bezier shape paths in the same way that you work with mask paths. All mask paths are Bezier paths.

You can modify a shape path by applying path operations, such as Wiggle Paths and Pucker & Bloat. You apply a stroke to a path or fill the area defined by a path with color by applying paint operations.

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tutorial after effects Slow-mo with 60fps footage properly

tutorial after effects Slow-mo with 60fps footage properly

To get the "super slow motion", after I filmed at 60fps, I through it into the program "After Effects". I used an effect that comes with the program called "Time Warp". This allowed me to make the 60fps, to 1000fps. The way this works is the computer processes/adds frames in between the frames that are already in existence. It took several days for the computer to process the clips into the super slow motion that appears as well, so it does take a lot out of the computer, as far as processing goes. Another similar program that does something similar to this slow motion effect, is a program called "Twixtor". It's another great program that is very similar, however you have to buy it as a separate plugin, and it is a little expensive, but if you do a lot of slow motion, it's totally worth it :)
The concept and the acting was cheesy and silly, but creating this video was 100% pure fun.
I decided to shoot the whole sequence in a 720P 60 fps mode, with the intent of slowing some parts down for true slow motion in the 24 fps edit line. I was a little concerned about the lack of sharpness compared to 1080p, but GH2 holds up very well — much better than T2i.
I inserted "Bill + Kathy" (dropzone and the airplane owners) at 00:13 in After Effects, for a little gag the locals might appreciate. Motion tracking with Mocha worked well, as usual. Photoshopped decal slipped a little during tracking, but you really had to look frame by frame.
I forgot about the 180 shuttle rule at 00:46, shooting it in 1/50 by accident instead of 1/125, resulting in undesirable motion artifact for some indoor shots. Freefall footage, however, shot in 1/200 shuttle speed, looked pretty good in slow motion, with the footage conformed from 60 to 24 fps.
For color grading, Magic Bullet Mojo was used for ground footage. It turned out a little dark, so lightened it a little using Colorista. For skydiving footage, Colorista was used, bringing up the shadows and giving a slight greenish tint. I added a little yellow to the midrange and a bit of red to lightend hilights.
As I use the GH2 more, I really could use for shallow DOF. I need to get a faster lens. For technical aspect of achieving slow motion

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Multiple 3D Cameras : Adobe After Effects tutorial

Multiple 3D Cameras : Adobe After Effects tutorial

Adjustable Mask Edge Feathering
The new Mask Feather Tool (located in the Pen Tool drop-down palette) in After Effects CS6 allows you to select specific points along the edge of your mask to adjust the amount and direction of the feathering you need. This eliminates the necessity to build multiple masks that have to be tracked or modified over time, and instead you can concentrate on one adjustable edge mask around objects you intend to roto. You can select existing Vertices along the path with the Mask Feather Tool and add an adjustment handle between the selected point to create a soft transition, or select several points to confine your adjustments to specific regions. And of course all of the Mask Feather Tool points are keyframable along the Timeline.
Adobe has addressed many user requests in the release of After Effects CS6 and provided several powerful features to help motion graphics designers and filmmakers produce better content without needing to rely on a lot of third-party plug-ins or apps. The totally revamped 3D environment now includes bendable footage and comps and extrusions for text and vector shapes - all integrated into an interactive raytracing environment where the various 3D layers truly interact with each other. Adjustable mask feathering, Rolling Shutter repair for DSLR footage and an amazing 3D Camera tracker have also been added to the mix. Built on top of major performance enhancements and caching features, makes After Effects CS6 a must-have update.
Rolling Shutter Repair
One of the most problematic issues with DSLR footage is the rolling shutter or "jello effect" caused by rapid panning against vertical lines in your scene - such as the edges of buildings, windows, busses, poles, trees, etc. Adobe has included the Rolling Shutter Repair effect to After Effects CS6 (also included in Premiere Pro CS6 as well). While the effect is applied directly to the footage layer, it can reduce the effect greatly but may require some additional tweaking and keyframing to control the amount of correction on certain footage.
Learn how to use the new 3D Camera Tracker by creating a 3D project that adds animated text to a movie. See how the tracker works in the background to analyze a scene and then automates the addition of an animated 3D camera with text. See how to adjust, manipulate and add animators and other effects to the text for amazing results.
Place and track 3D elements on 2D footage for precise visual effects and motion graphics. The 3D camera tracker automatically analyzes 2D footage in the background and places elements on that footage, with complete control over depth of field, shadows, and reflections.

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Interface, Custom Workspaces after effects tutotial

Interface, Custom Workspaces after effects tutotial

After Effects CS5 is a 64-bit application that can take full advantage of large amounts of RAM and multiple processors (CPUs), but setting the appropriate preferences is crucial. In this lesson you'll learn how to configure After Effects to use RAM and CPUs (processors) as appropriate for your computer system, your footage, and your project needs. You'll also see what hardware factors affect performance and what improvements can be made to increase performance.
Interface Overview

After you launched AE, it will be nothing on the window unless you start a new project or open a previous project. To start a new project, go to File>>New>>New Project;
The interface is divided into several areas: 
Project Area: All your footage and stock resource will be placed in the project area; 
Composition Area: The composition area allows you to monitor the result of your manipulation and you can also visually orientate your footage in the composition canvas;
Timeline: Here is where most of your animation work will be done;
Tool Bar

At the top of the interface you will find the tool bar which allows you to activate different tools;
Generally, Selection/Hand/Zoom tools are for navigating through your project; Rotate/Camera/Pan Behind tools are used to move elements around in 2D/3D space; Mask/Pen tools allow you to create assisting elements for your project; Brush/Clone Stamp/Eraser tools are three major pixel manipulation tools; Local/World/View Axis Modes are primarily for 3D composition;

Timeline Control

By default, Timeline Control is located at the very right of the interface; it allows to control playback of previewing. You can set the preview option according to the computational power of your workstation;
Shortcuts

Here is a few frequently used shortcuts in producing animation; it is highly recommended to remember them because it will help you speed up your work flow tremendously;
ALT+ SHIFT + Any Following Keys to display different options in layer;
T - Opacity
A - Anchor Point
S - Scale
P - Position 
R - Rotation
O - Jump to the end of the timeline
HOME - Jump to the beginning of the timeline
SPACE BAR - Play/Preview
CTRL + D - Duplicate Layers
Understanding Composition

Comp = Container

Composition is the key concept of AE; comp(short for composition in AE) is very much like a container. It is the place where you store/arrange all the things such as images, sound, text, and video. Also, each comp has an independent timeline. Moreover, since comp is a container, you actually can take one comp(let's name it comp A) which contains many different things and place it into another comp(comp B); then the comp A become one item just like other items in comp B and you can place it on comp B's timeline and applying effects to it like any other piece of footage; this process is referred as "nesting" in the industry

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